AN INTRODUCTION THROUGH THE SENSES Excerpt from the Introduction Film Theory, Cinema, the Body and the Senses II What is the relationship between the cinema, perception and the human body? Film theories, classical or contemporary, canonical or avant-garde, normative or transgressive, have all addressed this issue, implicitly framing it or explicitly refocusing it. In Film Theory: An Introduction Through the Senses we opt for making this our key concern: it provides the guiding concepts to our historical-systematic survey, and it gives the chapters their coherence and determines their succession. Each type of cinema (as well as every film theory) imagines an ideal spectator, which means it postulates a certain relation between the (body of the) spectator and the (properties of the) image on the screen, however much at first sight the highlighted terms are ‘understanding’ and ‘making sense,’ ‘interpretation,’ and ‘comprehension.’ What is called classical narrative cinema, for i
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